By way of Canada a rising scourge and a notorious plague birthed from death coalesce on this split CD from Vault of Dried Bones, the resulting malady of Warpit of Coiling Atrocities is unquestionably savage.
Children are our Future has me excited enough to skip it ahead of a few other reviews.
I once saw Godstopper while living in Toronto. They were admittedly overshadowed by my excitement seeing Mare headline on a second night of reunion but I didn’t ignore their simultaneously crushing and gentle noisy doom-rock. It would be hard to do considering their curious, irregular patina.
That was the year they released What Matters, the show was actually a month before it, and the LP grew on me quickly quite well. It’s undeniable that you won’t hear much like it.
And now their draw to something deeper in the simpler territories of heavy and beautiful reveals Children are our Future, their new EP, and it’s genuinely stunning. This is a great step for this band.
While living in Toronto in from 2011 onward Thantifaxath became a regular presence at black and death metal shows I had attended. And due to their distinct approach as well as stage presence those attending were always drawn to their performances.
I must have seen them at least five times not including Messe des Morts II in Montreal which was the last chance I had. I’m quite familiar with their self-titled EP as well. It’s burned into my brain: practically lustrous at times while simultaneously able to explore eccentric dark textures, verging on surreal atmospheres.
The promise was there to develop further in this fertile territory of their sound, it just took some time. I saw glimpses in each live appearance. Sacred White Noise delivers on that promise thoroughly as a record that expatiates in unexpected, breathtaking ways the meaning of uncanny black metal. This is an impressive album.